DONATE NOW El Segundo Playhouse Civic Light Opera of South Bay Cities
FB  
  By Tom Fitt
30 Apr 2008
THEATRE PREVIEW
"Miss Saigon"
Jennifer Paz (Kim) and Eric Kunze (Chris) play
the leads in the current CLOSBC production,
“Miss Saigon.”

You can imagine the pre-season meeting of the braintrusts of the Civic Light Opera of South Bay Cities (CLOSBC) sitting around the conference table about this time last year. There’s a break in the conversation regarding the 2008 schedule when one unknown participant erupts: “I’ve got an idea! Let’s put on a show that requires a full-sized helicopter and a jeep onstage. The cast is about 30. There’ll be several hundred lighting
cues and maybe 50 set changes. And, we’ll want a full pit orchestra so that we can use the original arrangements.” Blood drains from the face of Executive Producer James Blackman as dollar signs roll on the inside of his closed eyelids. He picks up the phone and calls to cancel the catered lunch, realizing that through the coming season he and his staff will be brown bagging it. But, I like peanut butter and jelly, he rationalizes to himself. And this week, here it is – helicopter and all. At least the show has a reputation
of great music, long runs, and decades of satisfied audiences.
“Miss Saigon” opened in London in 1989, playing for 10 years. A New York production ran from 1991 – 2001. Combined, there were over 8,300 performances at the two theaters, plus the many road and local productions. CLOSBC’s presentation is the latest, with the first preview (yesterday) falling on an auspicious date: April 30 marked the 33rd anniversary of the Fall of Saigon. The show’s music is by Claude-Michel Schonberg, lyrics by Richard Maltby Jr. and Alain Boublil – the same
team that created the previously successful “Les Miserables.” “Saigon,”
according to previous production Playbills, is “loosely based on Puccini’s ‘Madame Butterfly.’” Loosely? The story is exactly Puccini’s. Location and time are different. Also, the audience isn’t required to understand Italian. (If you are unfamiliar with “Miss Saigon” or “Madame Butterfly,” now would be a good time to turn to our sports pages because the rest of this article deals a bit with the plot.) Wisely, “Saigon” chooses to forego Puccini’s deluge of red ribbons cascading from the wounded heart in the famous dying scene at the end of both plays. If you’ve never seen “Madame Butterfly,” turn on PBS for three days. It’ll play at least twice. Too bad there weren’t royalty contracts in Puccini’s day. The director (Stephanie Coltrin) and the two leads (Jennifer Paz – “Kim” and Eric Kunze – “Chris”) of CLOSBC’s ”Miss Saigon” met last week to discuss both the difficulties and joys of doing
“Miss Saigon,” plus past shows and future plans.
Paz and Kunze have a long working history together. “We’ve done ‘Saigon’ together. We played the same parts we’re playing here in the first National Touring Company of the show about a hundred years ago,” said Paz. The first tour actually went out in 1992. This petite young lady of Filipino descent has extensive credits in New York, but has worked
regularly, of late, on the West Coast. preview Theater “I’ve been in Seattle the last couple years, but I’ve worked in LA since 1996,” she said. “I’m back and forth between Seattle and LA, depending on where the work is. The last two years, I’ve been doing a lot of regional theater
in Seattle at Fifth Avenue and the Village Theater.”
Among recent shows in which Paz has starred include “Evita,” “Tommy” and “The Buddy Holly Story.” This summer, she will perform in the world
premiere of “Sakajawea” in the SF Bay Area. Paz calls it a “pop opera.”
“The show was workshopped in Seattle and I did the readings. It will be at the Willows Theater in July and August. It’s based on the actual journals of Lewis and Clark and how this woman helped them through the Northwest Passage as their interpreter, only to realize she kind of betrayed her own people.”
“Saigon” is Paz’ debut at CLOSBC. As for her role as Kim, her experience in the part makes her comfortable. She said she is always concerned about maintaining the health of her voice, however. “The music just goes up there and it stays up there until you can’t go any further,” said Paz. There is no libretto in the two-act musical. It’s singing from curtain to curtain.
Does Paz die well in “Saigon” (a vital scene in the pop opera)? “I hope so,” she said. Director Stephanie Coltrin was more emphatic: “Oh, yes she does!” Added co-star Eric Kunze: “The first time we got to that scene in a runthrough, we did everything. There was the primal scream at the end, and afterward she said, ‘Oh, yeah, I remember this.’”
“I remembered the ringing in my ears,” said Paz.
“She yells good, too,” said Coltrin.“(To Paz) Your screaming the other day when you killed Thuy (Kim’s brother) was great!”
“I do a lot of yelling in this – a lot of angst,” said Paz.
As for Kunze, he is “on the road a lot, but I pretty much hang my hat in San Diego. This isn’t my first time at CLOSBC, though. I worked about 10 years ago – 1988-99 – in ‘South Pacific’ and ‘Damned Yankees.’”
Kunze just got off a seven month U.S.tour of “Whistle Down the Wind,”
Andrew Lloyd Webber’s “new musical that’s not so new,” according to Kunze.
The show originally opened in Washington D.C. in 1997 under direction
of Hal Prince, but closed before making it to Broadway. “Then it was reworked by Bill Kenwright, who’s sort of Cameron Mackintosh part two in London,” said Kunze. “He did his version in London and it was a mash. He wanted to see how it would do in America and, well, it didn’t. The audiences loved it but, of course the critics hated it. It’s become fashionable to not like Webber.”
In the coming months, Kunze will play “Joseph and the Amazing
Technicolor Dreamcoat” in Boston, “Saigon” again at the Muni in St. Louis, then “Evita” in Sacramento. Of the music in “Miss Saigon,” Kunze
said: “Our conductor (Alby Potts) says it’s the most difficult show he’s ever had to conduct, even harder that ‘West Side Story.’ That’s why the music is so effective; it’s so thick and it’s always pulling in different directions.” Director Coltrin faces her own challenges with “Saigon”: “It’s a big, big show; lots of sets, many, many lighting cues, plus a cast of 31.” “Aren’t there like 300 lighting cues?” Kunze asked his director.
“Oh, I’ve asked for more,” answered Coltrin. “I’m a lighting freak, so it will
probably be more like 500 or 600. I love lighting.” She said there will be “about 50-60 set changes. It’s huge. It takes about five guys to move the helicopter.”
Official opening night for “Miss Saigon” is Saturday. Let’s hope the
chopper doesn’t crash. “Miss Saigon,” CLOSBC, Redondo Beach Performing Arts Center, 2224 Artesia, Redondo. Tuesday to Sunday, now through May 18. Tickets $40-$60. Call 310-372-4477 or visit www.civiclightopera. com.

 

© 2012 Civic Light Opera of South Bay Cities. All rights reserved.
A charitable arts organization 501(c)(3)
DONATE NOW


In Other CLO News!
STEPPING OUT:
CLO reaches milestone

BEACH REPORTER - FEB 16, 2011
Civic Light Opera of South Bay Cities Presents SHE LOVES ME
BROADWAY WORLD - FEB 11, 2011
'She Loves Me' opens Civic Light Opera season
DAILY BREEZE - FEB 10, 2011
REVIEW:
Beehive - The ’60s Musicall

BACKSTAGE WEST - SEP 22, 2010
REVIEW:
Beehive

EASY READER - SEP 22, 2010
REVIEW:
‘Beehive’ a-buzz with delightful ’60s music

DAILY BREEZE - SEP 20, 2010
REVIEW:
South Bay 'Joseph' wears well

STAGESCENELA.COM - APR 27, 2010
REVIEW:
Joseph and the Amazing Technicolor Dreamcoat

STAGESCENELA.COM - APR 27, 2010
REVIEW: Bark! The Musical Wolfs Louder
BROADWAYWORLD.COM
FEB 15, 2010

CLOSBC's new production:
A tail-wagging experience

EASY READER - FEB 11, 2010

STEPPING OUT:
Living A Dog's Life

BEACH REPORTER - FEB 10, 2010
'Oklahoma' is back by popular demand
DAILY BREEZE - SEP 14, 2009
REVIEW:
'Jesus Christ Superstar' Well worth the visit

BEACH REPORTER - APR 29, 2009
REVIEW:
Jesus Christ Superstar

BACKSTAGE WEST- APR 29, 2009
REVIEW:
'Jesus Christ Superstar' Exhilarating

DAILY BREEZE - APR 29, 2009
SUPERSTAR with Kunze, Foreman, Ashworth, Kellum and Tower
PLAYBILL - APR 22, 2009
REVIEW:
'The Full Monty'

BACKSTAGE WEST- FEB 18, 2009
CLOSBC announces 'Full Monty' cast
THEATERMANIA - JAN 27, 2009
CRITIC'S PICK!
'Fiddler On The Roof'

BACKSTAGE WEST - DEC 11, 2008
REVIEW:
WOW 'Fiddler On The Roof'

STAGESCENELA.COM - DEC 10, 2008
REVIEW:
'Fiddler On The Roof'

LA TIMES - DEC 9, 2008
REVIEW:
Praising 'Fiddler'

BEACH REPORTER- DEC 10, 2008
REVIEW:
'Fiddler On The Roof'

EASY READER - DEC 11, 2008
Traditional 'Fiddler' remains relevant today
AMERICAN CHRONICLE - DEC 7, 2008
'Fiddler' is full of tradition but remains relevant today
PRESS TELEGRAM - DEC 4, 2008
THEATRE PREVIEW
"Fiddler On The Roof"

EASY READER - DEC 4, 2008
Traditional 'Fiddler'
remains relevant today

DAILY BREEZE - DEC 4, 2008
STEPPING OUT
'Fiddler' Redux

BEACH REPORTER - DEC 3, 2008
'Miss Saigon' has
11 Ovation noms

LA TIMES
Ovation Nominations Say It With Music, CLO 'Miss Saigon' tops list with 11 Nominations
BACKSTAGE WEST - SEP 23, 2008
REVIEW:
'Bye Bye Birdie'
" Crowd Pleasing familiarity"

LA TIMES - SEP 27, 2008
REVIEW:
"Bye Bye Birdie...Outstanding"

EASY READER - SEP 25, 2008
REVIEW:
"WOW! Bye Bye Birdie!"

STAGESCENELA.COM - SEP 25, 2008
REVIEW:
Bye Bye Birdie
"Put On A Happy Face"

BACKSTAGE WEST -SEP 24, 2008
STEPPING OUT:
'Bye Bye Birdie'

BEACH REPORTER - SEP 18, 2008
Hello Birdie...In Redondo Beach
DAILY BREEZE - SEP 18, 2008
CLO Presents New Version of 'Bye Bye Birdie' directed by Mojica
BROADWAYWORLD.COM
SEP 17, 2008
REVIEW:
Miss Saigon "Brilliant!"

EASY READER - MAY 8, 2008
REVIEW:
Miss Saigon
"Heart-wrenching"

BEACH REPORTER - MAY 7, 2008
REVIEW:
Miss Saigon "Wonderful!"

STAGEHAPPENINGS.com - MAY 7, 2008
REVIEW:
Miss Saigon
"High-End Spectacle"

LA TIMES - MAY 6, 2008
REVIEW:
Miss Saigon
"Pulled Out All The Stops!"

DAILY BREEZE - MAY 6, 2008
'Miss Saigon' lands with it's helicopter and star-crossed lovers
PRESS-TELEGRAM - MAY 1, 2008
THEATRE PREVIEW:
'Miss Saigon'

EASY READER - APR 30, 2008
STEPPING OUT:
'Miss Saigon' Revisited

BEACH REPORTER - APR 23, 2008
REVIEW:
'Time'less Production

BEACH REPORTER - FEB 28, 2007
REVIEW:
CRITIC'S PICK
'Twice Upon A Time'

BACKSTAGE WEST - FEB 19, 2007
REVIEW:
TWICE UPON A TIME

LA TIMES - FEB 19, 2007
REVIEW:
'Twice Upon A Time'

BEVERLY HILLS OUTLOOK
- FEB 22, 2007
STEPPING OUT:
Lost In Time

BEACH REPORTER
- Feb 14, 2008
'Twice Upon a Time'
Staged Reading in L.A.

BROADWAYWORLD.COM
- Oct 31, 2007
REVIEW:
RODGERS & HAMMERSTEIN's
CINDERELLA

STAGESCENELA.COM - DEC 5, 2007
REVIEW:
MORE ENCHANTMENT!

LA TIMES - Dec 3, 2007
REVIEW:
CRITIC'S PICK
'Kiss Me Kate'

BACKSTAGE WEST - Oct 2, 2007
STEPPING OUT :
Kiss'ing in the Theatre

BEACH REPORTER - Sep 27, 2007
REVIEW:
'Annie Get Your Gun'

EASY READER - May 10, 2007
REVIEW:
No Stopping 'Annie'

BEACH REPORTER - May 9, 2007
REVIEW:
CRITIC'S PICK
'Annie Get Your Gun'

BACKSTAGE WEST - May 9, 2007
REVIEW:
'Annie Get Your Gun' is right on target

DAILY BREEZE - May 8, 2007
Broadway's Cotton, Bailey, Landman and Lee set for Annie Get Your Gun
PLAYBILL - Apr 4, 2007
REVIEW:
'Ladies' Takes Down
the House

BEACH REPORTER - Feb 22, 2007
REVIEW:
Sophisticated Ladies
Stylish, Sexy and,
yes, Sophisticated

LA TIMES - Feb 19, 2007
REVIEW:
'Sophisticated Ladies'
Sure has that Swing

DAILY BREEZE - Feb 19, 2007
On Stage: Goin' Uptown
CLO Takes the 'A' Train with Sophisticated Ladies

RAVE - Feb 16, 2007

Fleming To Star in
Sophisticated Ladies

PLAYBILL ONLINE - Jan 30, 2007

CLO Goes All Out for "Oliver"
DAILY BREEZE - Oct, 2006

Generous Benefactor
DAILY BREEZE - May 10, 2006
CLO Turns 15:
Kathy Hendrickson

DAILY BREEZE